Comparing Shakespeare Julius Caesar, Ibsens A Dolls House, and Millers Death of a Salesman :: comparison compare contrast essays

Tragedys occupation From Shakespeare Julius Caesar to Henrik Ibsens A Dolls House, problem blowouts break taken form in character, plot, and even setting. It is not necessary for a problem play to be considered a problem play just because it was not written in the time period of when problem plays were formed. Arthur milling machine disproves this theory and successfully wrote a problem play in the modern time period his play was Death of a Salesman. The timely struggles that characters such as Willy Loman face, eventually strike to a major personal problem that, in this case, leads to death. riddle plays slew directly with social and professional issues. Death of a Salesman is a prime quantity example of a character struggling with social and professional problems. Problem Plays Problem plays were first invented at the time of William Shakespeare. His plays, including Alls Well, Measure for Measure, and Hamlet, are downstairs the category of problem plays (Schanzer, ix). Many authors have written of Shakespeare and his problem play. F.S. Boas was unrivaled of these men. He once wrote, All these dramas introduce us into highly dyed societies, whose civilization is ripe unto rottenness...Thus throughout these plays we move along dim trackless paths, and at the close our feeling is neither of simply joy nor agony (Schanzer, 1). An artificial society is exactly what is created in Millers Death of a Salesman. Problem plays suggest major personal, social, political or professional issues in which for each one problem is timely, realistic and a character experiences these situations in real places and the problems have real outcomes. The idea of real-ness opens the door to problem plays. Eager Unhappiness Miller deals with more than the simplicity of Willy Lomans eager unhappiness. It deals ultimately with the so-called American Dream. The total power of mankind to create an image of freedom and self-equality sets this play in motion. One critic of the p lay, Craig Garrison, stated in an essay The play makes, finally, no judgment on America, although Miller seems always on the verge of one, of carnal knowledge us that America is a nightmare, a cause of and a habitation for calamity (Garrison, The System). Making America the nightmare that is the home for tragedy ultimately puts the American Dream to shame and makes the lives of people like Willy Loman a dream in itself. Willy continually fantasizes about the farm in the west.